Golden A' Design Award Winner 2020
Kristof De Bock's Planck Coffee Table encodes a sophisticated symbolic dialogue between opposing yet complementary principles, its fundamental form articulating the eternal tension between solid and void, presence and absence, the made and the unmade. The tunnel aperture carved through the rectangular mass functions as an archetypal threshold, a passage symbol found across cultures representing transformation, transition, and the journey between states of being. This curved negative space invites contemplation of what remains when material is removed, suggesting that emptiness possesses equal ontological significance to substance. The laminated construction carries rich symbolic weight, each visible layer representing accumulated time and deliberate human intention, the many becoming one through patient additive process, evoking creation myths where worlds form through successive acts of ordering. The warm honey and amber chromatic field connects to solar symbolism across traditions, colors associated with vitality, nourishment, warmth, and the preservation of natural essence, while the organic end grain patterns suggest fingerprints of nature herself, irreducible individuality within systematic structure. The rectangular form grounds the composition in earthly stability and rational order, the four-sided figure representing material completeness and spatial orientation, while the curved interior introduces the circle's associations with continuity, eternity, and the infinite. Numerologically, the single opening within the whole suggests unity containing differentiation, the one harboring the many. The low horizontal proportion relates the piece to earth, groundedness, and stability, creating a symbolic foundation upon which domestic life unfolds. The visible construction method speaks to values of transparency, honesty, and the celebration of process over concealment, suggesting ethical dimensions embedded within aesthetic choices. This furniture piece ultimately functions as a meditation on how manufactured objects might honor both human craft intelligence and natural material wisdom.
The table is made of different pieces of plywood that are glued together under pressure. The surfaces are sandpapered and threated with a matt and very strong varnish. There are 2 levels -since the inside of the table is hollow- which is very practical for placing magazines or plaids. Under the table there are build in bullet wheels. So the gap between floor and table is very small, but at the same time, it is easy to move. The way the plywood is used (vertical) makes it very strong.