Silver A' Design Award Winner 2024
Chang's Lotus Guest Chair functions as a sophisticated symbolic vessel encoding multiple layers of cultural meaning through its formal vocabulary and material choices. The horseshoe backrest configuration carries deep archetypal resonance, evoking protective enclosure and welcoming embrace while referencing historical seating forms found in various traditions from the curved yoke-back chairs of classical furniture to the wishbone configurations of mid-century Scandinavian design. The lotus reference embedded within the design's identity activates rich symbolic associations across Eastern philosophical traditions, where the lotus represents purity emerging from murky waters, spiritual awakening, and the capacity for beauty to arise from humble origins. This botanical symbolism finds expression in the petal-like seat form and the radiating wood grain patterns that mirror natural growth structures, suggesting organic unfolding and centered harmony. The material dialogue between painted and natural wood surfaces encodes meanings about the relationship between culture and nature, refinement and authenticity, where human craft transforms raw material while respecting its inherent character. The diagonal support strut introduces triangular geometry associated with stability, aspiration, and dynamic balance. The environmental staging amplifies these readings through careful juxtaposition: red lanterns carrying associations of celebration, prosperity, and cultural continuity appear in soft focus alongside bare winter branches suggesting seasonal cycles and patient renewal. The reflective water surface evokes contemplation, depth, and the mirror-quality of designed objects that reflect their users and contexts. The partial human presence suggests relationship and use without dominating, positioning the chair as protagonist in a narrative about how material culture shapes human experience and expresses identity across cultural boundaries.
Lotus is a guest chair designed to bring forth a translation of traditional Ming Dynasty chair design for a modern space. The design was inspired by a Ming Dynasty folding chair that was created to allow high-class generals to maintain a gesture of status during an outing. There's a Chinese idiom that describes the growth of a lotus flower, out of the mud yet unstained. Kindness, warmth, generosity, and pureness of heart are all emotions the chair hopes to convey.